Best albums of 2020 so far – Getintothis staff select the year’s top new records of the year so far
With 2020 reaching the midway point, the Getintothis team pick their favourite albums of the year so far.
Browsing: Charli XCX
Getintothis top five #62: most read music, gigs, features and stories of the week
As another week rolls into the history books, it’s time again for Getintothis’ Max Richardson to round up the highlights…
Primavera Sound add another 37 acts to their lineup as tickets for 2021 festival are released
Primavera Sound have announced more acts for what will be its rescheduled 20th anniversary in 2021, Getintothis’ Claire Cook reports.
Albums Club #47: The Soft Pink Truth, Charlie XCX, Sparks, Tim Burgess and more
This month sees a bumper edition of our Albums Club, while Getintothis’ Banjo reflects on his lockdown listening habits.
New album releases this week: Perfume Genius, Jess Williamson, Rose City Band, Einstürzende Neubauten and more
Thank the heavens that it’s Friday, which brings a swathe of great new releases, Getintothis’ Simon Kirk parts with his…
Yves Tumor announces new album Heaven To a Tortured Mind and drops wild new music video
After a short two-year break, Yves Tumor is back with a new album announcement along with lead single and music…
Liam Gallagher, The Chemical Brothers and HAIM to Headline Latitude 2020
Latitude Festival is back in July 2020 for its 15th year and is pulling out all the stops. Getintothis’ Emilie…
Getintothis Jukebox Twenty Six: The Magic Gang, The Wytches, RATBOY, Saint Motel, Novelist, Zuzu and many more
The Getintothis Jukebox is an eclectic selection of the best new tracks released into the ether from around the globe…
Why are more artists missing Liverpool off their UK tours, as NME snubs again
As the annual NME Awards tour bypasses Liverpool yet again, Getintothis’ Jake Marley questions why this is the case and…
Rae Morris to return to The Kazimier in February
As rising star Rae Morris returns to the Kazimier on February 1, Getintothis’ Phil Morris outlines her meritorious rise and ponders why LIPA let the potential ‘Sound of 2015’ get away.