Lost Liverpool #29 – Loud Band Management, the chaos and confusion of a Merseyside underground institution
Getintothis’ Matthew Keenan returns to the dubious thrills, spills and carnage that defined LBM.
Browsing: Creation
Chemikal Underground Records – Mogwai, Delgados, Arab Strap and the enduring influence of the Scottish indie label
Having spent over 25 years as one of the UK’s leading independent record labels, Getintothis’ Stephen Birch looks into Chemikal…
Richard Norris on Andrew Weatherall: “He brought possibilities and people out of themselves to a greater place through music”
Richard Norris remembers Andrew Weatherall in a moving reminiscence connecting Psychic TV, occult rituals, Primal Scream and The Grid.
Ride’s Andy Bell on Basquiat, mad super loud music and new album This Is Not A Safe Place
Ride are back with a new album and UK tour and Getintothis’ Jamie Bowman chats with Andy Bell about Creation…
13 Questions with the Membranes: “Do not speak ill of the dead…they will come to haunt you”
As The Membranes head to Liverpool to play Phase One, Getintothis ask John Robb 13 Questions about films, views and…
‘Freedom!’ – How Scottish music discovered its independence and struck gold
As Big Gold Dreams: A Story of Scottish Independent Music is released, Getintothis’ Jamie Bowman considers its sublimely ridiculous legacy.
Getintothis ❤ albums – staffers 2018 reflection on why we ❤ records
With the album becoming ever more cherished and end of year lists on the horizon, Getintothis dedicates one day to…
My Bloody Valentine’s Isn’t Anything at 30 Years Old
As one of the most influential albums of the 80s heads towards it’s 30th Birthday, Getintothis’ Banjo looks at its…
Lost Liverpool #1: World Earthbeat and the Earthbeat Festival 1987
As LIMF festival approaches, Getintothis’ Paul Fitzgerald looks back 30 years to a renowned free festival in the park, and the…
Under the Skin and the interstellar alien soundtrack of Mica Levi
On the pleasantly surprising BAFTA nomination for Under the Skin, Getintothis’ Adam Scovell reflects on the alien-ness of Mica Levi’s debut score.